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ASMR IN MY BEDROOM (Sleep ASAP, Classic Ear to Ear Whispers, 4K)

SLEEP ASAP WITH THIS CLASSIC ASMR EXPERIENCE IN MY BEDROOM. Hello boys and girrlllsss! I've so pleased you chose me tonight to help you sleep! This video is a classic ASMR ear to ear whispered experience. -------------------------------------------------------------------------------------------------------------------------- This video is intended to calm your anxieties, relieve stress and help you sleep. ___________________________________________________________________________ NibblyBits Podcast with Creative Calm ASMR ⭐︎iTunes: https://podcasts.apple.com/gb/podcast/nibblybits/id1514565859 ⭐︎Spotify: https://open.spotify.com/show/1oi0XTICX4DIZkon3FVSzP ⭐︎Acast: https://shows.acast.com/nibblybits/episodes Follow me on 👇 ⭐︎Instagram: https://www.instagram.com/laurenhwoods/ ⭐︎Twitter: https://twitter.com/ScottishMurmurs ⭐︎Tingles App: https://tingles.app.link/Scottish-Murmurs-ASMR Business Enquiries 👇 ⭐︎Email: [email protected] Tip Jar 👇 ⭐︎Amazon Wishlist: https://www.amazon.co.uk/hz/wishlist/ls/2QBOAR0Z0AG8X?ref_=wl_share ___________________________________________________________________________ Happy sleeping boys and girls and everyone else x

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АСМР Салон [Тестовый сеанс 1.0 ] ✨[RP] 🎧 ASMR Salon [Test session]

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В этом АСМР видео начинается вселенная "АСМР салона". В ней вас будут ждать различные триггеры, проверки на мурашки от звуков, визуальной части и много другого! Надеюсь эта вселенная вам понравится и будет большой и интересной для вас! В ней вы сможете лучше узнать все направления АСМР жанра. Узнать что подходит именно вам и просто узнать больше о мире АСМР! Приятного вам просмотра, мурашек и крепкого сна! 👍 Жми ''Like'' если тебе понравилось видео! 💖 .............. ♥ Пссс..Приятного просмотра и крепкого сна! ~~~~~~~~~~~~~~~ 💸 Если вы хотите поддержать мои видео, косплеи, стрим и помочь с реквизитом для видео, техникой, шумоизоляцией: 💰 http://www.donationalerts.ru/r/kittyklawtv 💋 Become my Patron - https://www.patreon.com/KittyKlaw ~~~~~~~~~~~~~~~ 🎧 АСМР рекомендую смотреть в наушниках, почитать более подробно о АСМР тут (http://www.kittyklaw.ru/asmr/faqasmr/ ) ~~~~~~~~~~~~~~~ . 📱 INSTAGRAM: https://instagram.com/onelittlelifeangel/ . ▶ ВКонтакте: http://vk.com/kittyklawtv . 💻 TWITCH: http://www.twitch.tv/kittyklawtv . 🎧 Tingles: https://tingles.app.link/ASMR-KittyKlaw . 🐈 MY CAT INSTA: https://www.instagram.com/onelittlelifecat . ~~~~~~~~~~~~~~ . 🔸 ДРУГОЙ КАНАЛ: https://www.youtube.com/c/AngelinaLin . 🔸 TIKTOK: https://www.tiktok.com/@kittyklawtv . 🔸 МОЙ САЙТ: http://www.kittyklaw.ru/ . 🔸 FACEBOOK: https://www.facebook.com/pg/ASMRKittyKlaw . 🔸 AUDIO ASMR: https://soundcloud.com/user-204083614 . 🔸TWITTER: https://twitter.com/KittyKlawTv ~~~~~~~~~~~~~~~ Contact me for advertising 📧 [email protected]

Poslední stažení před 36 minutami

TANK [ 寫給明天的情書 To dear you at tomorrow ]Official Music Video|《愛的奧特萊斯》感動宣傳曲

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🎧 數位收聽【寫給明天的情書】 https://orcd.co/To_Dear_You_at_Tomorrow 🎧 數位收聽【電電的】|《愛的奧特萊斯》主題曲 https://orcd.co/Electric_Me ➤ 青春奇幻愛情直式微想劇《愛的奧特萊斯》感動宣傳曲 ➤ TANK + 導演安竹間雙強三度聯手 ➤ 深情誠摯溫暖新作【寫給明天的情書】 『將昨天的曾經寫一遍,把所有的熱烈寄給明天, 情書裡的詩篇是永遠。』 在《愛的奧特萊斯》故事裡,18歲的男孩透過一場奇幻的交易得到了女孩的愛,而當交易的保存期限將至,兩人都不確定未來是否還記得彼此的愛,此時暖心的男孩告訴女孩說 : 「即使明天我們就要分開,但曾有過的這些美好,都是我們人生裏最寶貴的回憶,而希望這些曾經,像是我寫給明天的情書,陪著妳在明天之後,繼續往前。」 在淚水之後,願我們還能懷著期待,去擁抱未知的世界。 由TANK和導演安竹間共同完成詞曲的〈你的情歌〉、〈我在呢〉至今在YouTube已突破千萬次觀看人數,深得大家的共鳴與喜愛。【寫給明天的情書】是TANK和導演安竹間聯手創作的第三首抒情歌,導演安竹間表示期待這首歌的角色,是一首暖暖的療癒情歌,TANK也形容他在配唱時,不特意唱得太悲傷,而是用更沉穩更溫暖的心境和歌聲去紀錄歌裡的刻骨銘心。在生活中,我們總會遇到”不得不”的分別,也一定都會對即將消逝卻又美好的人事物感到難過,但如果能換個角度,珍惜過去和現在擁有的,把在一起的每一天過得精彩,到了終將要分開的那天,我們就能把曾有的美好都放在【寫給明天的情書】裏,陪伴著鍾愛的對方,面對未來的每一天。 此次【寫給明天的情書】MV也由《愛的奧特萊斯》導演安竹間親自操刀,因全劇為直式拍攝,為了MV影像可以橫式呈現,導演在剪輯與分鏡上絞盡腦汁,隨著音樂的情深和劇情的走向,讓觀者不自覺跟著劇中男孩左右為難,女孩流淚的時候,也揪著心為他們感到不捨。而歌詞手寫字的溫度,也像寫進情書裡的每一筆一劃,平靜又深刻地與自己對話,最後如同精心包裝好要送給對方的禮物,情書交遞的同時,也完成了一段旅程,然後重新拾起往前出發的力量。 青春奇幻愛情直式微想劇《愛的奧特萊斯》由金獎男主角傅孟柏以及超強新生代演員群姜典、項婕如、黃禮豐、葛盈瑄、謝博安、夏浦洋、姜予共同奇趣演出,導演安竹間原創編導,將於2021年5月20正式邀請你一起"購"愛! 📽《愛的奧特萊斯》前導預告 : https://www.youtube.com/watch?v=62QgSBYN8uU 📽 TANK【電電的】|《愛的奧特萊斯》主題曲 : https://www.youtube.com/watch?v=hmYJXGYeZnA ______________________________________________________________________ 寫給明天的情書 看著我 的雙眼 別害怕 就算明天會有什麼改變 就算愛 只剩 想念 你仍是我 全世界 吻著你 的眼淚 別遺憾 就算明天不能再和你飛 轉身後 影子 在顫動 說好 別回頭 明天再見 將昨天 寫一遍 讓淚變成 句點 那些笑顏瞬間 早蔓延成永遠 將曾經 寫一遍 所有熱烈 寄給明天 情書裡的詩篇 陪著你 擁抱整個世界 觸動你 的指尖 別不安 就算明天上映新的情節 夜色中 腳步 若寂寞 有我 一直在 你心裡面 將昨天 寫一遍 讓淚變 成句點 那些笑顏瞬間 早蔓延成永遠 將曾經 寫一遍 所有熱烈 寄給明天 情書裡的詩篇 陪著你 擁抱整個世界 能不能 讓心動 不心痛 和你走過 雨後的天空 都有彩虹 將昨天 寫一遍 讓淚變 成句點 那些笑顏瞬間 早蔓延成永遠 將故事 寫一遍 所有心願 穿越時間 情書裡的詩篇 寫給你 微笑期待明天 音樂製作: 演唱人 Artist:Tank 製作人 Producer:呂禎晃 Rex Lu 作曲 Composed by:Tank 作詞 Lyrics by:安竹間Andrew Chien 編曲Arranged:洪敬堯 Yao Hung 吉他:林樂偉Ludwig Lim 鼓 Drums :陳柏州Mr. Q @ Mr. Q studio 弦樂監製 String Producer:蔡曜宇 Shuon Tsai 弦樂 Strings: 曜爆甘音樂工作室 Just Busy Music Studio 第一小提琴 First Violin: 朱奕寧 YiNing Ju 第二小提琴 Second Violin: 黃雨柔 Nala Huang 中提琴 Viola: 潘自琦 Tzu-Chi Pan 大提琴 Cello: 葉欲新 Shin Yeh 弦樂錄音製作人 Recording Producer: 楊敏奇(大米音樂)Micky Yang 和聲編寫 Backing Vocals Arrangement:Tank 和聲 Backing Vocals:Tank 執行製作 Executive Producer:樊哲忠 Jimmy Fan 製作助理 Production Assistant:陳筠婷 Helen Chen 弦樂錄音師 Recording Engineer:張閔翔 Min-Hsaing [email protected]強力錄音室 Mega Force Studios 弦樂助理錄音師 Assistant Engineer:朱品豪 Pin-Hao [email protected]強力錄音室 Mega Force Studios 錄音師Recording Engineer:Jacob [email protected]新歌錄音室 混音師 Mixing Engineer:林正忠@白金錄音室Platinum Studio OP:愛德斯工作室 SP:HIM Music Publishing Inc. OP:HIM Music Publishing Inc. TWD952103102 #TANK #寫給明天的情書 #安竹間 #愛的奧特萊斯

Poslední stažení před 90 hodinami

BAROQUE MUSIC FOR BRAIN POWER - HISTORY OF BAROQUE MUSIC, COMPOSERS

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Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel. The Baroque period saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this kind of arrangement has continued to be used in almost all Western popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers. During the period, composers and performers used more elaborate musical ornamentation (typically improvised by performers), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Many musical terms and concepts from this era, such as toccata, fugue and concerto grosso are still in use in the 2010s. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works. The term "baroque" comes from the Portuguese word barroco, meaning "misshapen pearl". Negative connotations of the term first occurred in 1734, in a criticism of an opera by Jean-Philippe Rameau, and later (1750) in a description by Charles de Brosses of the ornate and heavily ornamented architecture of the Pamphili Palace in Rome; and from Jean Jacques Rousseau in 1768 in the Encyclopédie in his criticism of music that was overly complex and unnatural. Although the term continued to be applied to architecture and art criticism through the 19th century, it was not until the 20th century that the term "baroque" was adopted from Heinrich Wölfflin's art-history vocabulary to designate a historical period in music. #Baroque #BaroqueMusic #BaroqueHistory

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AEW Dark Episode 49 | 9/1/20

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Subscribe now and never miss a new video: https://www.youtube.com/c/aew?sub_confirmation=1 #AEWDynamite airs every Wednesday night 8e/7c on TNT #AEWDark airs every Tuesday night 7e/6c here on YouTube How to watch Dynamite ➡️ Fire TV - https://www.fite.tv/channel/aew ➡️ BR Live - https://www.AEWonBRLive.com ➡️ TNT - https://www.tntdrama.com/allelitewrestling Follow #AllEliteWrestling on all social media platforms ➡️ https://www.Twitter.com/aew ➡️ https://www.Twitter.com/AEWonTNT ➡️ https://www.Facebook.com/allelitewrestling ➡️ https://www.instagram.com/allelitewrestling ➡️ https://www.instagram.com/AEWonTNT ➡️ TikTok - AllEliteWrestling ➡️ Snapchat - AllEliteWrestling Welcome to the All Elite Wrestling YouTube channel! Here you can find the latest highlights from AEW Dynamite and the latest episodes of AEW DARK. A world-class roster of diverse male and female wrestlers give you a new wrestling experience for the first time in 20 years. Featuring Cody & Brandi Rhodes, The Young Bucks, Kenny Omega, Hangman Adam Page, Chris Jericho and Jon Moxley. Subscribe today so you don't miss the latest videos from All Elite Wrestling! This video is AEW intellectual property. It is intended for only the private use of our audience. No part of this show may be reproduced, broadcast or exhibited in any form or by any means without the consent of AEW. It is also prohibited for users to generate revenue from the broadcast or exhibition by the user of any AEW content (including media scrums or other editorial materials) without the consent of AEW.

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