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War for the Planet of the Apes -Postvis Reel

War for the Planet of the Apes -Postvis Reel w/footer Directed by Matt Reeves Duration: Previs Team US – 10 months; BC – 6 months; Postvis Team – 11 months HALON reunited with our Dawn of the Planet of the Apes collaborator, director Matt Reeves, for War for the Planet of the Apes utilizing previs very early in the production process. Working closely with Reeves, we planned a number of huge sequences for the film. We developed proprietary tools and pipelines to render our previs on the Unreal Engine, which provided for more realistic lighting, dynamic effects and an overall higher level of visual polish, which translated to a more effective means of communicating the Reeves’ ideas to the production. Our efforts continued on-set where we provided rapid turnaround previs and techvis to assist the production as needed. In post-production, we generated postvis for several hundred shots in the film, working closely with editorial and WETA to ensure a unified look and level of polish. Throughout, we have used just about every tool in our creative arsenal: using both keyframe and both in-house and WETA motion capture in order to tell Matt Reeves’ epic story. Our contribution past the postvis phase, and our team came full-circle completing finals for many of our previs and postvis shots. Halon Team Credits Previs & Postvis Supervisor AJ Briones Previs Lead – Vancouver Team Andrew Moffett Previs & Postvis Lead – LA Team Casey Pyke Kenny DiGiordano Previs Team – US 10 months Aaron Aikman Buffy Bailey Alexandra Prescott Barlow Zac Cavaliero Alex Chiles Jason Choi Ingolfur Gudmundsson Christina Hall Nathan Hopkins Spencer Kelsey Brian Magner Jess Marley Andre Mercier Todd Patterson Ben Shupe Travis Yee Jerry Zigounakis Previs Team – BC 6 months Jason Chee Daniel Gerlitz Sharon Huang Patrick McNabb Will Seaborn Postvis Team: 11 months Aaron Aikman Buffy Bailey Alexandra Barlow Spencer Kelsey Vicki Lau Brian Magner Jess Marley Andrew Moffett Jenny Park Kyoung Kay Park Todd Patterson Melissa Quintas Clint G. Reagan Ron Rhee Ben Shupe Tefft Smith II Kristin Marie Turnipseed Zachary Wong Production Assistant Taylor Finan Producer Patrice Avery

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AcT II_Irina Demina_full performance

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AcT II Choreography/dance: Irina Demina Music: A. Adan “Giselle” (2nd act) Editing: Irina Demina Light design: Daniel Paiva de Miranda Classical ballet meets Berlin techno club, meets Lars von Trier, meets folk dance, meets “Self-unfinished”… “ACT II” is a solo remake that relocates the folk legend of dancing female spirits Vilas into contemporary dance landscape. A starting point is a ghost-like figure of Vila, Slavic version of nymphs. According to the pagan legend Vilas are the spirits of brides who died before wedding, at the night time they come back from the underworld and lure young men to dance, dancing them to death. In the Western world Vilas are indelibly connected with the Romantic ballet “Giselle” with its interpretation of spectral Vilas appearing in the second act, who almost snatch away the hero's life-breath, but must disappear at the break of dawn. In an abstract humorous way, turning things upside down, I invite us to reflect on the topics of female sexuality, femininity, mysticism, depth and wisdom coded in folklore traditions. How traditional are the traditions? Who are these folklore female figures today? And how would they be (folk) dancing? And who am I (are we) in this world of poetic embodied folklore? A hologram image? A crack of reality? An awkward grace? A skinless body? An uncomfortable truth? ? with kind support: ADA Studio (Berlin), Seoul Dance Centre (Seoul), Fjelldansen/Frikar SMIA (Valdres, Norway), Lake studios (Berlin), DOCK 11 (Berlin), Deep in the Mountains (PyeongChang, S. Korea), Alfred Töpfer Stiftung F.V.S., Goethe Institute Norway. irinademina.com/akt-ii

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